![]() ![]() ![]() This creates a default node tree, with incoming and outgoing shots – and leaves you to build the transition in any way you see fit. One of the really cool things about Fusion’s integration into Resolve is that you can now change any dissolve into a Fusion Transition. In the past, I’ve worked around it by doing everything below an ODT adjustment layer – but that isn’t a perfect solution either. This is because the dissolves aren’t processed correctly unless you set up your whole project for ACES! Now for a lot of projects, this isn’t an issue – it only really becomes a problem on things with lots of dissolves that need to be perfect. I’ve gone over some of the downsides and limitations in the first 3 parts of the series – and one of the biggest is that dissolves can be a real pain to get looking how you want them to look. However, like any grading workflow – it isn’t all perfect. ![]() If you’ve watched my series on Custom ACES, you’ve seen how I do it and why, and what some of the advantages are. Personally, I love working with node-based color management. Tutorials / Custom ACES / Creating Reusable Custom Transition Presets In Fusion Series ![]()
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